Rosenman and Klaver, eds.: Other Mothers

Other Mothers

Beyond the Maternal Ideal

Edited by Ellen Bayuk Rosenman and Claudia C. Klaver

Other Mothers, edited by Ellen Bayuk Rosenman and Claudia C. Klaver, offers a range of essays that open a conversation about Victorian motherhood as a wide-ranging, distinctive experience and idea. In spite of its importance, however, it is one of the least-studied aspects of the Victorian era, subsumed under discussions of femininity and domesticity.

This collection addresses that void and reveals the extraordinary diversity of Victorian motherhood. Exploring diaries, novels, and court cases, with contexts ranging from London to Egypt to Australia, these varied accounts take the collection “beyond the maternal ideal” to consider the multiple, unpredictable ways in which motherhood was experienced and imagined in this formative historical period.

Other Mothers joins revisionist approaches to femininity that now characterize Victorian studies. Its contents trace intersections among gender, race, and class; question the power of separate spheres ideology; and insist on the context-specific nature of social roles. The sixteen previously unpublished essays in this volume contribute to the fields of literary criticism, history, cultural studies, and history.

http://www.ohiostatepress.org

Beier: For Their Own Good

For Their Own Good

The Transformation of English Working-Class Health Culture, 1880–1970

Lucinda McCray Beier

In For Their Own Good Lucinda McCray Beier examines the interactions between working-class health culture and official provision of health services and medical care in three English communities between 1880 and 1970. Based on 239 oral history interviews of laypeople and annual public health reports, this book considers gender, class, political, economic, and cultural aspects of the mid-twentieth-century shift in responsibility for illness, birth, and death from the informal domestic and neighborhood sphere to the purview of professional, institutionally based authorities.

For Their Own Good is a case study, located in a particular place and time, of a phenomenon that has occurred in all Western nations and is now happening worldwide. As in Barrow, Lancaster, and Preston, in most circumstances, the transition from traditional to modern medicine is stimulated and enforced from the top down. Current global struggles with AIDS, overpopulation, malaria, malnutrition, and other killers offer powerful reminders that elite knowledge and strategies rarely result in success unless laypeople are engaged and invested in solutions. Furthermore, as this book demonstrates, the desired transition to Western medicine carries the twin burdens of the loss of lay ability to prevent and manage ill-health, on one hand, and the demand that political elites and medical professionals meet proliferating health care needs and demands, on the other.

http://www.ohiostatepress.org

MacKenzie: The Theatre of the Real

The Theatre of the Real

Yeats, Beckett, and Sondheim

Gina Masucci MacKenzie

The Theatre of the Real: Yeats, Beckett, and Sondheim traces the thread of jouissance (the simultaneous experience of radical pleasure and pain) through three major theatre figures of the twentieth century. Gina Masucci MacKenzie’s work engages theatrical text and performance in dialogue with the Lacanian Real, so as to re-envision modern theatre as the cultural site where author, actor, and audience come into direct contact with personal and collective traumas. By showing how a transgressively free subject may be formed through theatrical experience, MacKenzie concludes that modern theatre can liberate the individual from the socially constructed self.

The Theatre of the Real revises views of modern theatre by demonstrating how it can lead to a collaborative effort required for innovative theatrical work. By foregrounding Yeats’s “dancer” plays, the author shows how these intimate pieces contribute to the historical development of musical as well as modern theatre. Beckett’s universal dramas then pave the way for Sondheim’s postmodern cacophonies of idea and spirit as they introduce comic abjection into modernism’s tragic mode. This exciting work from a new author will leave readers with fresh insight to theatrical performance and its necessity in our lives.

http://www.ohiostatepress.org

Chaitin: The Enemy Within

The Enemy Within

Culture Wars and Political Identity in Novels of the French Third Republic

Gilbert D. Chaitin

In The Enemy Within, Gilbert D. Chaitin deepens our understanding of the nature and sources of culture wars during the French Third Republic. The psychological trauma caused by the Ferry educational reform laws of 1880–1882, which strove to create a new national identity based on secular morality rather than God-given commandments, pitted Catholics against proponents of lay education and gave rise to novels by Bourget, Barrès, A. France, and Zola.

By deploying Lacanian concepts to understand the “erotics of politics” revealed in these novels, Chaitin examines the formation of national identity, offering a new intellectual history of the period and shedding light on the intimate relations among literature, education, philosophy, morality, and political order. The mechanisms described in The Enemy Within provide fresh insight into the affective structure of culture wars not only in the French Third Republic but elsewhere in the world today.

http://www.ohiostatepress.org

Liveley and Salzman-Mitchell, eds.: Latin Elegy and Narratology

Latin Elegy and Narratology

Fragments of Story

Edited by Genevieve Liveley and Patricia Salzman-Mitchell

In recent decades, literary studies have shown great interest in issues concerning the elements of narrative. Narratology, with its most vocal exponents in the writings of Bal, Genette, and Ricoeur, has also emerged as an increasingly important aspect of classical scholarship. However, studies have tended to focus on genres that are deemed straightforwardly narrative in form, such as epic, history, and the novel. This volume of heretofore unpublished essays explores how theories of narrative can promote further understandings and innovative readings of a genre that is not traditionally seen as narrative: Roman elegy. While elegy does not tell a continuous story, it does contain many embedded tales—narratives in their own right—located within and interacting with the primarily nonnarrative structure of the external frame-text.

Latin Elegy and Narratology is the first volume entirely dedicated to the analysis of Latin elegy through the prism of theories of narrative. It brings together an international range of classicists whose specialties include Roman elegy, Augustan literature more generally, and critical theory. Among the questions explored in this volume are: Can the inset narratives of elegy, with their distinctive narrative strategies, provide the key to a poetics of elegiac story telling? In what ways does elegy renegotiate the linearity and teleology of narrative? Can formal theories of narratology help to make sense of the temporal contradictions and narrative incongruities that so often characterize elegiac stories? What can the reception of Roman elegy tell us about narratives of unity, identity, and authority? The essays contained in this volume provide provocative new readings and an enhanced understanding of Roman elegy using the tools of narratology.

http://www.ohiostatepress.org