Wednesday, November 26, 2008

Gillooly and David, eds.: Contemporary Dickens


Contemporary Dickens

Edited by Eileen Gillooly and Deirdre David


Edited by Eileen Gillooly and Deirdre David, Contemporary Dickens is a collection of essays that presents some of the most intriguing work being undertaken in Dickens studies today. Through an emphasis on the nineteenth-century origins of our current critical preoccupations and ways of knowing, these essays reveal Dickens to be our contemporary. The contributors argue that such issues as gender and sexuality, environmentalism, and the construction of national identity were frequently explored and sometimes problematically resolved by Dickens himself. They also illuminate the importance of Dickens’s place in our current reassessment of critical methodologies.

Drawing freely upon a variety of reading strategies (materialist, deconstructive, new historical, psychoanalytic, and feminist), the essays disclose new aspects of Dickens’s engagements with a number of Victorian concerns—moral philosophy, the psychology of the emotions, and life writing among them—that have once again emerged as significant objects of study in early-twenty-first century criticism. Looking at such familiar topics from fresh perspectives, Contemporary Dickens is an original and challenging contribution to Dickens studies in particular and Victorian criticism in general.

Contemporary Dickens will appeal to general readers and students of Victorian culture, as well as specialists in nineteenth-century literature, cultural studies, literary formalism, psychology, and gender studies.

http://www.ohiostatepress.org

Monday, November 17, 2008

Shadeland


Shadeland

Andrew Grace


Shadeland is not only the name of the Illinois farm on which poet Andrew Grace was raised, it is also that elusive space where language attempts to recover all that has been lost. Deeply concerned with the state of today’s rural spaces, Grace’s poems describe a landscape and a lifestyle that are both eroding. Stylistically rangy, yet united by an ardent eye for intricate imagery, Shadeland features allusions and influences as classical as Homer, Virgil, and Hopkins while still exhibiting a poetic sensibility that is thoroughly contemporary. Employing a blend of baroque and innovative language, these 21st-century pastorals and anti-pastorals both celebrate and elegize the buckshot-peppered silos and unstill corn fields that are quietly vanishing from the countryside.

http://www.ohiostatepress.org